- Home
- J. O. Morgan
Assurances Page 2
Assurances Read online
Page 2
too solid too easily broken
passed over passed through)
There’s always The World Service: its reedy whine picked up on longwave. No order not to listen. Not that such an order could be enforced. There’s comfort in the normalness of afternoon plays, of forecasts, bulletins.
(high and the world has faded
into greyness into neutral density
its colours sun-bleached flattened out
where nothing moves and there’s no longer
anywhere good to come down)
Not that a final report before the silence would help matters much. Having heard the capital’s blitzed, your hometown gone, the fields and woods you used to walk, the families you had no way to warn. Nothing much else to be done beyond that. Not much point at all.
She’s sitting alone in the strip-lit glare
of her kitchen when the news breaks
interrupting morning prayers.
And the warning is given,
those few minutes granted
in which there is no action left to take,
only a moment, enough, to contemplate.
So she leaves the coffee cooling,
the half-buttered toast to go soft,
and steps outside to welcome in the dawn.
(What curious hand wound up those bits
of sun and stone and sea, all packed in
tight and centrepunched, a single dot
held in a press of nothingness?)
And the doorway yields like paper, having gained
fresh insubstantiality. A silence folded, pushed aside,
admitting her into the garden, to the uncut length
of the lawn and on, beneath the sky in its uniform blue
from which the last of the starlight still shows through.
(And at that grand release when all was flung out
spinning wildly, and the planetary pieces pulled together,
and one thing led to another, who then watched them settle
into automatic motion, into perpetuity?)
Her barefoot prints bend back the grass,
the weight of one thing pressing down
to overwhelm another
and yet leaving it unharmed,
the fine green blades re-woken by
their springiness, unsticking themselves
from themselves, as from
the burdens placed upon them.
(Who rolled those planets over, examining each in turn
and with the perfect place selected then injected this
and sparked off that, promoting further change?
who moulded self-sufficiency?
who shaped the first of many replicates?)
She lingers in the moonlit shade of convenient trees.
Their purity of airs. Her slow deep breathing. Waiting
while the birds start up their noise, their dark cacophony.
(And under all heavenly spirals
and over all earthly fixations
at the tip of every motion gone before
and at the root of all directions yet to be,
did all the universe conspire to manufacture me?)
Now here the everything-she-is stands ready
for this culmination to the scheme so long ago
set on its course, for all the quicknesses in her
to be wrenched out, to leave her egg-blown.
(Is this shell, this dusty husk, what we’ve been dreaming of?)
And when the sudden sun on the horizon flashes
over hills, its wake of wind to sweep away the trees,
to open wide the doors, to silence every mouth, to whirl
right through her and keep on, she’s nothing more
than grateful — that it asked so little in the end.
And somewhere reasonably distant lies the command centre. Bunkered into borderlands in hollowed foreign soils. Hidden by a coverlet of green to feed a scattering of cattle. Far away from anywhere, but close enough to hear the goings on, and always listening.
(cow bells intermittently chime
in the cloudy mountain heights
a thump of hooves comes soft
through thick stone ceilings
is mixed with the tapping of keys
a shuffle of papers under dim electric light
the stammered telegraphic beep of code)
They keep abreast of the news: the local upheavals, the national slumps. The grit in the ointment of peaceful protesting; the speck of mould that turns the whole batch sour. Carnival flotillas of military might. Political gamings, playgroundings. Of one distraction leading to another.
(the stockman is calling up the slope
he is rattling feed in a bucket
and deep under earth the sound
of ungulates lumbering downhill
comes rolling and booming
but gentled like distant explosions
like the start of the end of the world)
And when that balloon’s puffed up too much. And when at last it bursts. They’re ready with their many monitorings. Aware which launch-sites have been used by the arc of each missile inbound.
(beasts clamour at the troughs
they bellow mournfully
vying for better position
a brief yet frantic moaning
before there is silence
echoing eerily downwards
sudden and prolonged)
Not that four minutes allows them the means to do much. A cry of evacuation would be empty of any such hope. Go where? under what? for how long? All they have left is to order the counter attack.
Unlike earthborne vehicles of expensive pedigree
Vulcans can’t stay covered up in gloom-aired garages
and only taken for a spin on sunny afternoons.
They’re made to exist at maximum performance.
The heat of their flight to expand them, pushing
their patchwork plate together, a perfect seal,
becoming one seamless surface round which
the windpress passes by unhindered, unheeded.
When back on the ground they drip oil.
Each part of them cools
contracts and separates.
Natural gaps become evident.
Sharp-edged valleys in the metalwork.
Countersunk screws turn bothersome
through itchy prominence.
And so they sit in patient discomfort,
sagging their unbuoyed bulk
onto spindly wheels.
Here their dedicated ground-crews fuss.
As cleaner wrasse are permitted to scour
the skin of predatory fish,
picking parasites from gills,
dipping in and out of open jaws
to descale furred-up teeth;
likewise the men mop dribbly chins,
touch up the paintwork with artisan brushes,
buff the cockpit glass till it
is scratchless, till it mirrors emptiness.
Even a build-up of insects
mashed and hardened round the air-intakes
might alter the windflow,
might impede the perfection of flight, and so
having softened and soaped off the carapace crust
every curve is towel-dried and re-waxed.
And when with expert ear someone
detects a fine alien hum and gazing
spots the black enemy sky-speck circling
under cover of the blinding sun:
then like ants with their nest upset
who shift the exposed larvae deep under earth
so the gleams of the grounded planes,
the blank-faced bombs poised on their padded racks,
all are hastily expertly ushered indoors.
A slick operation in clearing the field
though not quite as quick as they’re able:
allowing their pristine machines to be duly admired,
the bombs to be cou
nted before they are tucked
out of sight; before the sky-speck, satisfied,
casually exits the air-space.
We have to switch radio frequencies on the hour. It avoids unwanted detection. It’s easy to do. Pre-written into charts. Presented in a handy pocket book. Though the waves themselves can’t be hidden. Are open to anyone.
(… I discovered a pair of otters by the river
saw them splashing in the late evening light
their holt a hollowed trunk of hunched-up oak
I took my torch the next day got in close
found they’d delved the earth yet deeper
so many tunnels rootways hidey-holes …)
And out there, somewhere, are folk with ham-radio sets. Amateurs hooking into whatever tatty threads of signal they can find. Some only broadcast. Others are two-way. Rambling on about anything over unseen distances. They don’t mind whom they talk to, or who listens.
(… can get lonely but when we’re talking when I
your voice and it’s just a voice I don’t I’m not
pretending we could ever even if we it’s much too far
though sometimes I’ll pretend anywhere but here
it’s fine it’s really fine and I’ve my responsibilities
and it’s they do depend upon me but still I think
often and then back to how I when I was alone …)
So, and it does happen sometimes, when switching channels, when that hour approaches, if you turn the dial slowly, half a minute in advance, you may hit upon those snatches of chatter, fragments of far away lives.
(… it’s become my obsession I’m out there at dawn
before work and again when I come home late
I find a spot on the bank downriver and wait
mostly see nothing just river a few dragonflies
a dipper half floating half skittering over wet stones
but I crouch very still in the long reed grass
I’ve nowhere else to go I can stay there for hours
till it’s dark I don’t mind and yet sometimes …)
But you never get to listen in for long. You can’t risk missing the hourly orders that may or may not be patched through. Not on the pretext of eavesdropping, over such ground-level utterances.
(… not only your voice how you what is it you say
I have to be cautious makes me very yes a sort
a tremble like me when you think it’s how I you
it could be we could be and I know I feel this is
because in person of all those other matters maybe
we would never we probably wouldn’t have then
but even there is this now we are like this now …)
Besides which there’s the need to keep an ear out for enemy spoofing. Phoney accents slyly offering fake commands: to give it all up: to go on home: to believe that all is well.
(… the setting sun was wavering and runny like egg yolk
slumping splitting sliding back and down behind the hills
its last light filtered green through a veil of beech leaves
and the river itself was a beefy brown a constant rippling
those darker patches swapping with the pale reflected blues
and I was sitting staring very still I barely even breathed …)
Such enemy interceptions happen infrequently. Almost not at all. Never while our team has been on shift. Though that’s no reason not to expect that they might. You have to be alert to all these possibilities.
(… lose connection how could I find you if you go
how will and where it’s troubling then I would also
gone unfair to say that I know because you might never
please don’t it’s only it should when you’re not there I’m
emptied I’ve no care it is and all the world and I
acting my part each day of course I’ll do my best
to think of in hope of and if then someday you …)
It’s not about the enemy knowing when to tune in. It’d be in the avoidance of any overlap. To be hoodwinked into hearing only them. Hard to pull off, but the enemy’s wily. They’ll try any trick that they can, if so they can.
(… and realised all that riversound the sucking the splashes
the constant soft ripple even the shifting reflection itself was
an otter I was staring straight at it don’t know for how long
it was playing or washing or doing whatever it is otters do
can’t have known me there or if it did it didn’t show it …)
At least the amateurs are safe enough. Safe in not talking directly to us. Speaking blind over moorland over mountain over sea. Of course they don’t know that we’re listening. Don’t know we’re here at all.
Three sets of code-breaking equipment: receiving
their ciphers simultaneously. Each one running as fast
as the next. Still their answers come out a fraction apart.
The order is different each time.
Three sets with identical problems to solve.
Whether it’s a go-code or a routine. Their matched
mechanical brains spinning out ultimata. Yet here
one answer differs from the other two.
They confer. The pair in agreement strongly believe
the smallness of chance in them both being wrong
in precisely the same way proves they must be right.
They feel this logic is impeccable.
The one considers its own variation as similarly correct.
It won’t be ignored. Strength of convictions combined
should not be allowed to counter that of the individual.
A truth cannot be arrived at through numbers alone.
All three agree that, in this singular instance, likelihood
must give way to perception. What was deemed improbable
is pronounced irrelevant. The possibility of any one moment
being only as real as the chosen expectations of another.
All three agree that in such a state of uncertainty
the safest solution is not to act at all, or else
to find a better way in which to run the tests,
the system having in some manner already failed.
A conclusion: reached. The go-code: not passed on.
And not a second wasted, where from without
all that’s witnessed is the apparently synchronous blink
of three small amber lights, three clicks, three sudden silences.
The military state-of-mind is one of familiarity. All the daily duties the repetitions the regular false alerts, it’s all part of desensitisation. An aircraft isn’t sixty tonnes of metal kept afloat on nothingness. It doesn’t fly. Can’t possibly stay up. It’s merely a means of conveyance. As easy as riding a pushbike and never concerning yourself over how it maintains its relative perpendicularity. As easy as jogging without ever musing upon which muscles are needed for your legs to keep constantly moving.
(My bulk is advantageous,
when they set me going I cannot
be stopped. I must be borne
that I may then be born again,
O my creator)
Think too hard and the legs will flounder, crumple, fold, the bike will list and topple, the plane will drop out of the sky, or else, long before that, it will flop lumpily down the runway, managing no more than a few fat little leaps.
(I will not drag on updraughts.
With my nose I split the air
and sew it up behind me
seamlessly. I tidy as I go,
O my creator)
And all those bombs will be once again lifted and loaded and locked into place. Mind you they’re only bombs by name, by dint of reputation. Aren’t so peculiar or so cumbersome once you’ve hoisted them into position a hundred times over.
(I am a lozenge. I will soothe.
I am the cupboard medicine
kept in its handy pack
aging,
at need to be so easily pressed out,
O my creator)
A ridiculous hugeness. A blunt metal smoothness. Modern sculptures, solid right the way through. That sharp knuckle-tap that sounds them out hollow is deceptive, is illusory. The hard slap that sets their skin humming is only a quirk of design, an after-effect to make them appear more vibrant, more alive.
(I am ripe. My juiciness
is packed in tight, preserved,
thick-skinned. I won’t go off till I
am given to go off,
O my creator)
The military state-of-mind is one of alertness, nothing more than that. To be wound up tight one moment and then: just as tight the next. Like a dog whose ears stay pricked even while sleeping, who’ll leap right out of deep dreaming and into a volley of furious barks, and all at the muffled scuttle of a mouse skipping over bare beams in the attic, or else at the wind-blown rose bush as it taps its thorny fingers on the bathroom window-pane.
(The earth is small, is soft
beneath my single heavy step.
Disorderly build-ups top the crust
but I shall blow such meagre dust away,
O my creator)
Growling and barking yet backing away from the bite. That’s the aim. The undercurrent of desire. Merely to handle. Never to use. To go through all that choreography without once considering where the performance will lead; of just how long such parcels can stay lost within their delivery system; of what you become in being the dupe who jumps right to it, who steers, who pin-points, who drops.
(I am anti-bacterial.
A surface pure and bright
shall be my legacy, shall gleam
when I have made my sacrifice,
O my creator)
That’s where all those dummy runs come in. A sort of enforced thoughtlessness. So that when the order arrives you merely do. As you’ve done so many times before. You go through the moves you’ve perfected. Take pride in the accuracy of your air-drawn curves. You are yourself an instrument. Not by you: but through you. Not in you: but of you. And then, before you know it, it’s all done.
His watch gains fifteen seconds in a day.
It creeps through hours too eagerly,
a lightness to its tip-toe stepping
getting ahead of itself.
At night he matches its motions to
the pulse of an atomic clock
where forward change is marked and set
by nuclear decay,
each measure to show how far we’ve come
how far we’ve still to go.
The clock has settled its actions to that of the earth,
the earth to the universe, world to encompassing world.